
FORE:[193]
Published Aug 30.
TWO:
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FORE:This was the case with Sir James Thornhill, of Thornhill, near Weymouth. His father, however, had spent his fortune and sold the estate, and Sir James, being fond of art, determined to make it his profession to regain his property. His uncle, the celebrated Dr. Sydenham, assisted him in the scheme. He studied in London, and then travelled through Flanders, Holland, and France. On his return he was appointed by Queen Anne to paint the history of St. Paul in the dome of the new cathedral of St. Paul, in eight pictures in chiaroscuro, with the lights hatched in gold. So much was the work approved, that he was made historical painter to the queen. The chief works of the kind by Sir James were the Princess's apartment at Hampton Court, the gallery and several ceilings in Kensington Palace, a hall at Blenheim, a chapel at Lord Oxford's, at Wimpole, a saloon of Mr. Styles's, at Moorpark, and the ceilings of the great hall at Greenwich Hospital. On the ceiling of the lower hall appear, amid much allegorical scenery, the portraits of William and Mary, of Tycho Brahe, Copernicus, Newton, and others; on that of the upper hall appear the portraits of Queen Anne and her husband, the Prince of Denmark; and paintings of the landing of William at Torbay, and the arrival of George I. There are, in addition, portraits of George I., and two generations of his family. Sir James also painted the altar-piece of All Souls', Oxford, and one presented to his native town, Weymouth.The next day the Great Mogul went over to the stronger party. He had no further hope of assistance from Sujah Dowlah, and so he rode, with a few followers, to the British camp. He was received most willingly, for, though the British had shown no disposition to recognise his authority, now he was in their hands they acknowledged him as the rightful sovereign of Hindostan, and lost no time in concluding a treaty with him; and, on condition of his yielding certain territories to them, they agreed to put him in possession of Allahabad and the other states of the Nabob of Oude. After this, Munro continuing the war against Sujah Dowlah, endeavoured to take the hill fort of Chunar, in which all the treasures of Cossim were said to be deposited, but failed. On his part, Sujah Dowlah had obtained the assistance of Holkar, a powerful Mahratta chief, and, with this advantage, endeavoured to make a better peace with Munro; but that officer declined treating, unless Cossim and the assassin, Sombre, were first given up to[318] him. Dowlah proposed, instead of this surrender of those who had sought his protection, the usually triumphant argument with the English, a large sum of money. But Munro replied that all the lacs of rupees in Dowlah's treasury would not satisfy him without the surrender of the murderers of his countrymen at Patna. Dowlah, though he would not surrender the fugitives, had no objection to give a secret order for the assassination of Sombre; but Munro equally spurned this base proposal, and the war went on. Munro was victorious, and early in 1765, having reduced the fort of Chunar and scattered Dowlah's army, he entered Allahabad in triumph, and put the Mogul in possession of it.
Published Aug 28.
TWO:On the 1st of December Bonney, Joyce, Kyd, and Holcroft were brought up, but the evidence was precisely the same against them as against Tooke; they were discharged without trial. Holcroft would have made a speech condemnatory of these prosecutions, but was not allowed. As these gentlemen were removed from the bar, John Thelwall, the well-known elocutionist and political lecturer, was brought up. As the Government thought there were some other charges against him, the trial went on, and lasted four days, but with the same result; and as it was found that it was hopeless to expect verdicts of guilty from English juries for mere demands of Reform, the rest of the accused were discharged. To the honour of the nation, people of all parties appeared to rejoice at the independent conduct of the juries.
Armed with insight, we embark on designing the right brand experience that engages the audience. It encompasses both the strategic direction and creative execution that solves a business problem and brings the brand to life.
In the create phase, the big idea is unleashed to the world through different media touchpoints. This is when we watch the audience fall in love all over again with our client’s brand.
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